![]() As far as graduations from mixtapes to major-label releases go, this one is still satisfying and a step forward, plus slicked up and pimped out in a way that's entirely Maybach. Blige backing he gets on "Who Your Around," but his stories of growing up in the concrete jungle lack insight or angle, as turning to a life of crime is just a way to afford "Polo & Shell Tops," because that's the way it goes, and it makes for a damn good hook. He's cocky enough to kick off "Amen" with "I just wanna thank God, for all the pretty women he let into my life" and then respectful enough to deserve the rich Mary J. Any shuffle button could do just as well, but sliced off into little bits, this is the glittery gangster feeling, big boss stuff that Ross and Maybach fans expect, delivered with Meek's love of combining Twista fast with Rick Ross force, making him the MVP of the star-studded "Maybach Curtains" (with Nas, John Legend, and Ross) by sheer force of will and volume. Check how the hooky swagger anthem "Young & Gettin' It" with Kirko Bangz gives way to the heartbreaking "Traumatized" without a pause, and while Meek's a strong enough, smart enough, and, most of all, determined enough rapper to make these two sides happen, the album doesn't sort these cuts with even a mixtape's sense of care. This would’ve been a great second album, but as the first it’s simply “ok.Having torn it up on the first two volumes of Maybach Music's Self Made compilations, Philadelphia rapper and former Grand Hustle artist Meek Mill finally busts out on his own on Dreams and Nightmares, an apt title for an album that haphazardly bounces between the two. His emotion on each track will draw you in. Throughout, Meeks Lyrical content keeps the album interesting. The one word I would use to describe this album is ‘safe’: Meek doesn’t go too far outside his lane on it, and I like that. Meek attacks this beat like Russell Westbrook attacks the rim. It also has that whole ‘One mic’ feel to it, where it has two phases - a belligerent one and a very belligerent one. This might be one of the best intros in music history! On this song, Meek is hungry as hell, and the beat matches his toughness. (This is just one of those days I have nothing to say about his verse) Rapper Meek Mill interview exploring controversies surrounding the criminal justice system. Nonetheless, both of their verses are good. Dreams and Nightmares: The Meek Mill Story. Popular Tracks by Meek Mill Going Bad (feat. Let's find some podcasts to follow We'll keep you updated on new episodes. Create your first playlist It's easy, we'll help you. Here’s the catch, though, he’s being very disrespectful with his words.ĭrake raps similar to Meek on his verse, but he’s a little more aggressive in his content. Dreams and Nightmares - song and lyrics by Meek Mill Spotify. The track has a very subtle church sound to it, but at the same time has this club bop to it that is hella infectious! On his verse, Meek raps with this braggadocios demeanor, as he describes the many ways our Lord and Savior has blessed him. Isn’t it hilarious how Jeremih has received little to no recognition for being on this song? I can definitely see Jeremih spazzing on MMG’s management like Roscoe did Kanye West! I ain’t gon lie, I love this song! I just hate the fact that all artists featured on it are almost making a mockery of religion! (I wonder if it was thunder-storming during the making of it?) ![]() ![]() On the real, I may have to do a background check to see how factual his claims are. Rick Ross finishes it off with a hefty third verse in which he talks about his upbringing in the hood. Nas has the second verse on this song, and he’s yapping quite a bit on it… Matter of fact, his part is a bit blah. His approach fits well, especially considering that two OG’s are also on the song with him. Meek Mill sounds like that ‘up and coming’ rapper that is thankful for his positioning on this song. John Legend sounds so great on this song! Matter of fact, he solidifies the greatness of it. This track should’ve been Maybach Music IV. It shows itself on this song, as they both genuinely sound hurt throughout this song.īackstabbing friends is worse than a cramp in your thigh. I feel like combined, both Mary and Meek have this passionate vibe to their artistry that is hard to ignore. This song is so deep, but you should’ve known it will be once you realized that dramatic ass Mary J.
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